Rue Scribe: Oh the Crime

"Crime et Chatîment" is up at the Musée d'Orsay right now and it is amazing! A description from the Musée d'Orsay's website:

"The exhibition Crime and Punishment looks at a period of some two hundred years: from 1791, when Le Peletier de Saint-Fargeau called for the abolition of the death penalty, to 30 September 1981, the date the bill was passed to abolish it in France. Throughout these years, literature created many criminal characters. The title of the exhibition is itself taken from a work by Dostoyevsky. In the press, particularly the illustrated daily newspapers, the powerful fantasy of violent crime was greatly increased through novels.

At the same time, the criminal theme came into the visual arts. In the work of the greatest painters, Goya, Géricault, Picasso and Magritte, images of crime or capital punishment resulted in the most striking works. The cinema too was not slow to assimilate the equivocal charms of extreme violence, transformed by its representation into something pleasurable, perhaps even into sensual pleasure.

It was at the end of the 19th century that a new theory appeared purporting to establish a scientific approach to the criminal mind. This tried to demonstrate that the character traits claimed to be found in all criminals, could also be found in their physiological features. Theories like these had a great influence on painting, sculpture and photography. Finally, the violence of the crime was answered by the violence of the punishment: how can we forget the ever-present themes of the gibbet, the garrotte, the guillotine and the electric chair?"

Sigh, I love theme-based shows. Curated by Jean Clair, the exhibition established an interesting and useful chronology that began with the Biblical story of Cain and Abel, moved to the French revolution, and roughly terminated in the late 18th century with an examination of Bentham's Panopticon and the visual aspects of criminological studies. The images were arresting, powerful and really scary. Beware!